Uncle TOM 039 S Cabin Covarrubias Lithographs Limited Editions Club BIG Rare $350 | eBay
輸入搜尋關鍵字所有類別你好！（，以進行出價或購買）
|刊登類別：&
出價已結束。
賣家已或類似的物品。
Powered by
沒有有關此物品的問題或答案。
賣家必須承擔此刊登物品的所有責任。
運費和處理費
這件物品可運送到
香港，但賣家未指明運送選項。，查詢寄到你所在地的運送方式。
無法計算運費。請輸入有效的郵遞區碼。
物品所在地： Harpers Ferry, West Virginia, 美國
運送地點： 全球
排除： 俄羅斯聯邦, 保加利亞, 拉脫維亞, 羅馬尼亞, 烏克蘭, 南非, 印尼, 泰國, 越南, 中國, 沙地阿拉伯, 阿拉伯聯合酋長國
變更國家：
中非共和國
亞賽拜然共和國
克羅埃西亞民主共和國
列支敦士登
剛果共和國
剛果民主共和國
加彭共和國
千里達島和托貝哥
厄立特里亞
吉爾吉斯斯坦
哥斯大黎加
喬治亞共和國
土庫斯安德凱科斯群島
土庫曼斯坦
塔吉克斯坦
塞席爾群島
多明尼加共和國
大英聯合王國
安提瓜和巴布達
密克羅西尼亞
巴布亞新幾內亞
布吉納法索
幾內亞 ─ 比紹
所羅門群島
捷克共和國
斯洛伐尼亞
新喀里多尼
法屬圭亞那
法屬波利尼西亞
波斯尼亞和黑塞哥維那
烏茲別克斯坦
瓜德羅普島
瓦利斯群島和富圖納
百慕達群島
福克蘭群島
維德角群島
維爾京群島﹝美屬﹞
美屬薩摩亞群島
聖基茨 ─ 尼維斯島
聖文森特和格林那定群島
聖皮埃爾密克隆島
聖赫勒拿島
聖露西亞島
肯亞共和國
英屬維爾京群島
茅利塔尼亞
荷屬安地列斯群島
蒙特色拉特島
西薩摩亞群島
赤道幾內亞
阿爾及利亞
阿爾巴尼亞
馬提尼克島
馬紹爾群島
馬達加斯加
黑山共和國
有 1 件物品可供出售。 輸入的數字不可大於 1。
請選擇有效的國家。
郵遞區碼：
請輸入有效的郵遞區碼。
請輸入 5 或 9 位數字的郵遞區碼。
運費和處理費
USPS Priority Mail InternationalTM
估計會在 6 至 11 個工作天內寄達
賣家會在。
* 考慮到賣家的處理時間、寄出地郵遞區碼、目的地郵遞區碼、接收包裹時間，並取決於所選的運送方式以及。寄達時間會因時而異，尤其是節日。
本地處理時間
通常會在後的 1 個工作天內寄送物品。
買家收到物品後 14 日內
買家負責支付退貨運費。
首選付款方式／已接受
eBay 的買家保障
建議使用 PayPal 付款
以 PayPal 付款，購物可獲得 PayPal 買家購物安全保障 |
Visa/MasterCard
接受的付款方式
目前出價：
（大約 ##1##）
你的最高出價：
你的最高出價：
按下「確認出價」即表示，你承諾如果成為物品中標者，你將會購買此物品。
按下「確認出價」，即表示你承諾如果成為物品的中標者，你將會向賣家購買此物品，並且你已閱讀和同意全球派遞方案的。之前報價的進口費，會根據你的最高出價金額增加而改變。
如果頁面沒有立即更新，請。
檢查並確認出價
請查看物品說明
（大約 ##1##）
（請至少輸入 ##1##）
（請輸入高於 ##1## 的金額）
你的最高出價：
提高最高出價
提高最高出價
，你的出價被超越。請把握機會，再次出價！
，你是此物品的最高出價者。祝你中標！
，你是第一位出價的會員。祝你中標！
，你目前是最高出價者，但出價很快將被超越。
，本拍賣即將結束，而你目前是最高出價者。
，你目前是最高出價者，但是未達底價。
請再次輸入你的出價。
請輸入有效的出價金額。
輸入的金額必須等於或大於最低出價金額，你可以在出價方塊看到這個金額。
最高出價一旦送出後，便無法變更。
賣家要求買家必須擁有 PayPal 帳戶才能購買此物品。。
你的出價金額大於或等於「立即買」價格。我們建議你使用「立即買」購買這件物品。如果你仍然想出價，可以按照以下方法進行。
目前出價：
（大約 ##1##）
最高出價：
（大約 ##1##）
提高你的最高出價：
按「快速出價」，即表示你承諾如果成為物品的中標者，你會購買此物品。
（大約 ##1##）
最高出價：
恭喜！ 拍賣已結束，你是中標者。
拍賣已結束，但未達底價。
抱歉，拍賣已結束，不過你的出價被超越。
好消息，你是最高出價者。
抱歉，出價被超越。
你是最高出價者，但是未達底價。
請輸入高於目前出價的金額。
最高出價一旦送出後，便無法變更。
請輸入有效的數字。
更多網站導覽版權 (C)
eBay Inc. 本公司保留所有權利。 、及 。更多频道内容在这里查看
爱奇艺用户将能永久保存播放记录
过滤短视频
暂无长视频（电视剧、纪录片、动漫、综艺、电影）播放记录，
使用您的微博帐号登录，即刻尊享微博用户专属服务。
使用您的QQ帐号登录，即刻尊享QQ用户专属服务。
使用您的人人帐号登录，即刻尊享人人用户专属服务。我們的全新搜尋方式需要啟用 JavaScript。請，然後。
輸入搜尋關鍵字所有類別Games手機、通訊產品古董收藏品汽車服裝、鞋及配件玩具及個人愛好家居生活書籍珠寶首飾及鐘錶健康及美容商業及工業郵票電子產品及電器電腦及網絡電影音樂數碼相機、攝影器材錢幣體育、休閒及旅遊其他物品及服務你好！（，以進行出價或購買）
縮窄搜尋範圍
請輸入最低或最高價格，然後再繼續。
HK$ 請輸入最低價格 至 HK$ 請輸入最高價格
物品所在地
所在地： 美國
Time left:
HK$ 123.66
HK$ 170.18
未指定運費
所在地： 美國
Time left:
HK$ 154.99
+HK$ 193.83 運費
所在地： 美國
HK$ 116.70
未指定運費
所在地： 美國
+HK$ 21.17 運費
所在地： 美國
HK$ 166.72
未指定運費
所在地： 美國
HK$ 503.95
+HK$ 116.30 運費
所在地： 美國
HK$ 278.57
未指定運費
所在地： 美國
+HK$ 96.84 運費
所在地： 美國
+HK$ 267.87 運費
所在地： 美國
HK$ 154.99
+HK$ 125.21 運費
提供海關服務及全球追蹤資料
所在地： 美國
+HK$ 239.03 運費
提供海關服務及全球追蹤資料
所在地： 美國
HK$ 736.55
+HK$ 268.88 運費
所在地： 美國
HK$ 232.52
+HK$ 191.89 運費
所在地： 英國
HK$ 105.61
+HK$ 9.76 運費
所在地： 美國
HK$ 114.44
未指定運費
提供海關服務及全球追蹤資料
所在地： 美國
HK$ 186.08
+HK$ 227.71 運費
提供海關服務及全球追蹤資料
所在地： 美國
HK$ 213.21
+HK$ 228.17 運費
所在地： 澳洲
HK$ 133.01
所在地： 美國
HK$ 154.99
未指定運費
所在地： 美國
HK$ 464.80
+HK$ 187.24 運費
所在地： 美國
+HK$ 77.45 運費
所在地： 美國
+HK$ 327.57 運費
所在地： 美國
HK$ 232.59
+HK$ 187.24 運費
所在地： 美國
HK$ 186.08
未指定運費
所在地： 美國
HK$ 150.05
未指定運費
所在地： 美國
HK$ 310.13
+HK$ 129.87 運費
所在地： 美國
HK$ 170.57
+HK$ 387.66 運費
Always Save with UnbeatableSale!
提供海關服務及全球追蹤資料
所在地： 美國
HK$ 741.43
定價： HK$ 957.44
+HK$ 206.85 運費
所在地： 澳洲
HK$ 1,818.77
未指定運費
所在地： 美國
未指定運費
所在地： 美國
HK$ 596.91
+HK$ 162.74 運費
所在地： 美國
+HK$ 96.84 運費
所在地： 美國
HK$ 1,938.21
+HK$ 333.00 運費
1910 First Edition COLOR Rare ONLY 2 FOR SALE WORLDWIDE
所在地： 美國
Time left:
HK$ 356.64
+HK$ 421.38 運費
所在地： 美國
HK$ 19,382.85
未指定運費
所在地： 美國
+HK$ 77.45 運費
所在地： 美國
HK$ 4,923.24
+HK$ 310.13 運費
提供海關服務及全球追蹤資料
所在地： 美國
HK$ 209.33
+HK$ 231.43 運費
所在地： 美國
HK$ 166.72
未指定運費
提供海關服務及全球追蹤資料
所在地： 美國
Time left:
HK$ 562.10
+HK$ 253.37 運費
所在地： 英國
HK$ 816.03
+HK$ 101.42 運費
所在地： 美國
HK$ 127.23
+HK$ 83.66 運費
所在地： 澳洲
HK$ 132.04
Always Save with UnbeatableSale!
提供海關服務及全球追蹤資料
所在地： 美國
定價： HK$ 119.79
+HK$ 206.85 運費
所在地： 美國
+HK$ 77.45 運費
所在地： 美國
HK$ 139.56
未指定運費
搜尋結果頁數
更多網站導覽版權 (C)
eBay Inc. 本公司保留所有權利。 、及 。
上次更新時間：&02 月 03 日 16:08. 出價數目和金額可能尚未更新。有關全球運送的方式與運費，請參閱各刊登物品的說明。1852 Southern Uncle Tom 039 s Cabin Civil War 1st Edition Slave Trade Negro Slavery | eBay
Enter your search keyword
By clicking Confirm bid, you commit to buy this item from the seller if you are the winning bidder.
By clicking Confirm bid, you are committing to buy this item from the seller if you are the winning bidder and have read and agree to the Global Shipping Program . Import charges previously quoted are subject to change if you increase you maximum bid amount.
Loading...
, if the page does not update immediately.
Review and confirm your bid
Bid confirmation
FREE shipping
See item description
(Approximately ##1##)
(Enter ##1## or more)
(Enter more than ##1##)
Your max bid:
Increase max bid
Confirm bid
Increase max bid
Change bid
, you've been outbid. Don't let it get away - bid again!
, you're the highest bidder on this item. Hope you win it!
, you're the first bidder. Hope you win!
, you're currently the high bidder, but you're close to getting outbid.
, this auction is almost over and you're currently the high bidder.
, you're the high bidder, but the reserve price hasn't been met.
Please enter your bid again.
Please enter a valid number as the bid price.
Enter an amount that is equal or greater than the minimum bid required. This can be found under the bid entry box.
Maximum bids can't be lowered once they're submitted.
This seller requires the buyer to have a PayPal account to purchase this item. .
Your bid is greater than or equal to the Buy It Now price. We recommend you purchase this item via Buy It Now. If you still wish to bid, you may do so below.
Current bid:
(approximately ##1##)
Your maximum bid:
(approximately ##1##)
Increase your maximum bid:
By clicking 1 Click Bid, you commit to buy this item from the seller if you're the winning bidder.
(approximately ##1##)
Winning bid:
Starting bid:
Congrats! The auction has ended and you're the winner.
The auction has ended, but the reserve price was not met.
Sorry, the auction has ended and you were outbid.
Good news, you're the high bidder.
Sorry, you've been outbid.
You're the high bidder, but the reserve price is not met.
Please enter a higher amount than the current bid.
Maximum bids cannot be lowered once submitted.
Please enter a valid number.
Additional site navigationCopyright (C)
eBay Inc. All Rights Reserved. ,From Wikipedia, the free encyclopedia
This article is about the character from the
novel, , and the resulting .
character, see .
Uncle Tom is the title character of 's 1852 novel, .
The phrase "Uncle Tom" has also become an
for a person who is slavish and excessively subservient to perceived authority figures, particularly a
who behaves in a su or any person perceived to be complicit in the oppression of their own group. The negative epithet is the result of later works derived from the original novel.
At the time of the novel's initial publication in 1851 Uncle Tom was a rejection of the exis Stowe's melodramatic story humanized the suffering of slavery for White audiences by portraying Tom as a Christlike figure who is ultimately martyred, beaten to death by a cruel master because Tom refuses to betray the whereabouts of two women who had escaped from slavery. Stowe reversed the gender conventions of slave narratives by juxtaposing Uncle Tom's passivity against the daring of three African American women who escape from slavery.
The novel was both influential and commercially successful, published as a serial from 1851 to 1852 and as a book from 1852 onward. An estimated 500,000 copies had sold worldwide by 1853, including unauthorized reprints. Senator
credited Uncle Tom's Cabin for the election of
and Lincoln himself reportedly quipped that Stowe had triggered the .
praised the novel as "a flash to light a million camp fires in front of the embattled hosts of slavery". Despite Douglass's enthusiasm, an anonymous 1852 reviewer for 's publication The Liberator suspected a racial double standard in the idealization of Uncle Tom:
Uncle Tom's character is sketched with great power and rare religious perception. It triumphantly exemplifies the nature, tendency, and results of Christian non-resistance. We are curious to know whether Mrs. Stowe is a believer in the duty of non-resistance for the White man, under all possible outrage and peril, as for the Black man… [For whites in parallel circumstances, it is often said] Talk not of overcoming evil with good—it is madness! Talk not of peacefully submitting to chains and stripes—it is base servility! Talk not of servants being obedient to their masters—let the blood of tyrants flow! How is this to be explained or reconciled? Is there one law of submission and non-resistance for the Black man, and another of rebellion and conflict for the white man? When it is the whites who are trodden in the dust, does Christ justify them in taking up arms to vindicate their rights? And when it is the blacks who are thus treated, does Christ require them to be patient, harmless, long-suffering, and forgiving? Are there two Christs?
, a prominent figure of the , expresses an antipathetic opinion in his autobiography:
For my part, I was never an admirer of Uncle Tom, nor of
but I believe that there were lots of old Negroes as
the proof of which is that they knowingly stayed and worked on the plantations that furnished sinews for the army which was fighting to keep them enslaved.
In 1949 American writer
rejected the
of the title character "robbed of his humanity and divested of his sex" as the price of spiritual salvation for a dark-skinned man in a fiction whose African-American characters, in Baldwin's view, were invariably two dimensional stereotypes. To Baldwin, Stowe was closer to a pamphleteer than a novelist and her artistic vision was fatally marred by polemics and racism that manifested especially in her handling of the title character. Stowe had stated that her sons had wept when she first read them the scene of Uncle Tom's death, but after Baldwin's essay it ceased being respectable to accept the melodrama of the Uncle Tom story. Uncle Tom became what critic Linda Williams describes as "an epithet of servility" and the novel's reputation plummeted until feminist critics led by
reassessed the tale's female characters. According to Debra J. Rosenthal in an introduction to a collection of critical appraisals for the Routledge Literary Sourcebook on Harriet Beecher Stowe's Uncle Tom's Cabin, overall reactions have been mixed with some critics praising the novel for affirming the humanity of the African American characters and for the risks Stowe assumed in taking a very public stand against slavery before abolitionism had become a socially acceptable cause, and others criticizing the very limited terms upon which those characters' humanity was affirmed and the artistic shortcomings of political melodrama.
A specific impetus for the novel was the , which imposed heavy fines upon law enforcement personnel in Northern states if they refused to assist the return of people who escaped from slavery. The new law also stripped African Americans of the right to request a jury trial or to testify on their own behalf, even if they were legally free, whenever a single claimant presented an
of ownership. The same law authorized a $1000 fine and six months imprisonment for anyone who knowingly harbored or assisted a fugitive slave. These terms infuriated Stowe, so the novel was written, read, and debated as a political
Stowe drew inspiration for the Uncle Tom character from several sources. The best-known of these was , an ex-slave whose autobiography, , was originally published in 1849 and later republished in two extensively revised editions after the publication of Uncle Tom's Cabin. Henson was enslaved at birth in 1789. He became a Christian at age eighteen and took up preaching. Henson attempted to purchase his freedom for $450, but after selling his personal assets to raise $350 and signing a promissory note for the remainder Henson's owner raised the price to $1000; Henson was unable to prove that the original agreement had been for a lesser amount. Shortly afterward Henson was ordered on a trip south to , and when he learned that he was to be sold there he obtained a weapon and contemplated murdering his white companions, but decided against violence because his Christian morals forbade it. A sudden illness in one of his companions forced their return to , and shortly afterward Henson escaped north with his family, settling in
where he became a civic leader.
Stowe read the first edition of Henson's narrative and later confirmed that she had incorporated elements from it into Uncle Tom's Cabin. Kentucky and New Orleans figure in both Henson's narrative and the novel's settings, and some other story elements are similar.
In the public imagination, however, Henson became synonymous with Uncle Tom. After Stowe's death her son and grandson claimed she and Henson had met before Uncle Tom's Cabin was written, but the chronology does not hold up to scrutiny and she probably drew material only from his published autobiography.
The term "Uncle Tom" is used as a derogatory
for an excessively subservient person, particularly when that person perceives their own lower-class status based on race. It is similarly used to negatively describe a person who betrays their own group by participating in its oppression, whether or not they do so willingly. The term has also, with more intended neutrality, been applied in psychology in the form "", a term for the use of subservience, appeasement and passivity to cope with intimidation and threats.
The popular negative connotations of "Uncle Tom" have largely been attributed to the numerous derivative works inspired by Uncle Tom's Cabin in the decade after its release, rather than the original novel itself, whose title character is a more positive figure. These works lampooned and distorted the portrayal of Uncle Tom with politically loaded overtones.
Uncle Tom, from an 1885
American copyright law before 1856 did not give novel authors any control over derivative stage adaptations, so Stowe neither approved the adaptations nor profited from them.
retellings in particular, usually performed by white men in , tended to be derisive and , transforming Uncle Tom from Christian martyr to a
for slavery.
Adapted theatrical performances of the novel, called , remained in continual production in the United States for at least 80 years. These representations had a lasting cultural impact and influenced the pejorative nature of the term Uncle Tom in later popular use.
Although not all minstrel depictions of Uncle Tom were negative, the dominant version developed into a stock character very different from Stowe's hero. Stowe's Uncle Tom was a muscular and virile man who refused to obey when ordered
the stock character of minstrel shows became a shuffling asexual individual with a receding hairline and graying hair. To Jo-Ann Morgan, author of Uncle Tom's Cabin as Visual Culture, these shifting representations undermined the subversive layers of Stowe's original characterization by redefining Uncle Tom until he fit within prevailing racist norms. Particularly after the Civil War, as the political thrust of the novel which had arguably helped to precipitate that war became obsolete to actual political discourse, popular depictions of the title character recast him within the apologetics of the . The virile father of the abolitionist serial and first book edition degenerated into a decrepit old man, and with that transformation the character lost the capacity for resistance that had originally given meaning to his choices. Stowe never meant Uncle Tom to be a derided name, but the term as a pejorative has developed based on how later versions of the character, stripped of his strength, were depicted on stage.
Claire Parfait, author of The Publishing History of Uncle Tom's Cabin, , opines that "the many alterations in retellings of the Uncle Tom story demonstrate an impulse to correct the retellers' perceptions of its flaws and "the capacity of the novel to irritate and rankle, even a century and a half after its first publication".
. Wordnet.princeton.edu. Retrieved April 24, 2009.
Linda Williams (2002). . Princeton University Press. pp. 7, 30–31 47–62.  .
Claire Parfait (2007). . Ashgate Publishing, Ltd. pp. 1–2, 6.  .
Sarah Meer (2005). . University of Georgia Press. pp. 1–4, 9, 14–15.  .
anonymous (1852 (original), 2004 (republication)). . William Lloyd Garrison (original), Routledge (republication). p. 35.  .
James Weldon Johnson (2004). . Kessinger Publishing. p. 21.  .
James Baldwin (1949(original), 2006 (republication)). . Harvard University Press. pp. 118–121.  .
Debra J. Rosenthal (2004). . Routledge. pp. 30–31.  .
. U.S. Constitution Online.
Robin W. Winks (2003). . Courier Dover Publications. pp. v–vi, x–xi, xviii–xix.  .
Jo-Ann Morgan (2007). . University of Missouri Press. pp. 1–5, 11–12, 17–19.  .
Riché Richardson (2007). . University of Georgia Press. p. 3.  .
Keyes, Allison (). .
Osofsky, Gilbert, ed. (1969). Puttin' On Ole Massa: The Slave Narratives of Henry Bibb, William Wells Brown, and Solomon Northup. .  .
Mohammad Ali (2009). Thrilla in Manilla (Documentary). USA: HBO.
: Hidden categories:}